277 Royalty-Free Audio Tracks for "Musical Scale"

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Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)
Author: Sciurid
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Melodic half step in Bohlen-Pierce tuning (Equal Tempered)
Author: Sciurid
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00:24
Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.
Author: Claude DebussyMIDI file created by Hyacinth (talk) 14:54, 15 December 2011 (UTC) using Sibelius 5.
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Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.
Author: Hyacinth
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*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64
Author: Hyacinth
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Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).
Author: Sciurid
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00:09
*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53
Author: Hyacinth
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00:09
*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75
Author: Hyacinth
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*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58
Author: Hyacinth
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Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.
Author: Hyacinth
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Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.
Author: Hyacinth
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Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.
Author: Hyacinth
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*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69
Author: Hyacinth
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Consonant harmonies based on the odd harmonic overtones 3/5/7/9.
Author: Created by Hyacinth (talk) 14:56, 30 June 2010 in Sibelius with midi pitch bend on 5 different instruments.
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Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.
Author: Hyacinth
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Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).
Author: Sciurid
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0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).
Author: Created by Hyacinth (talk) 07:00, 25 November 2010 in Sibelius.
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Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200
Author: Hyacinth
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Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).
Author: Sciurid
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5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on three different instruments.
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Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).
Author: Created by Hyacinth (talk) 06:56, 25 November 2010 in Sibelius.
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Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.
Author: Hyacinth
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Blackjack scale, derived from the secor (s = 116.72 cents), the difference between 10 secors and a perfect octave (q = 32.84 cents), and the difference between that and a secor (r = s-q = 83.88 cents). MIDI pitch bend appears to match intervals. If the Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s +q q +r q +r q +r q +r q +r q +r q +r q +r q +r q +r +q then the Blackjack scale is 0 >0 1 >1 2 >2 3 >3 4 >4 5 >5 6 >6 7 >7 8 >8 9 >9 <0 0' q r q r q r q r q r q r q r q r q r q r q
Author: Hyacinth
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01:40
Our town was testing the sewers somehow using audio tones to measure something. Maybe resonant frequency or something like that. It sounded vey musical since they were using 3 tones per octave, like a scale based on an augmented fifth chord.
Author: Smokeyvw
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*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.
Author: Hyacinth (talk)
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Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.
Author: Pinehadmz
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Hello World! is a piece of contemporary classical music for clarinet-violin-piano trio composed by Iamus Computer in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional musical notation.
Author: Iamus (computer system)
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Murchunga (nepali: मुर्चुङ्गा) is one of the ancient musical instrument as jaw harp. This collection is a sample sound from one-particular instrument that comes pre-tuned to a scale when crafted. And the device being too tiny to produce the sound signal, it was difficult to record the full length and frequencies. There could be other better sounds from a professional recorder. It just gives an idea of how it hears.
Author: Pbimal
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5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.
Author: Created by Hyacinth (talk) 06:34, 25 November 2010 using Sibelius 5.
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Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone
Author: Hyacinth
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*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.
Author: Hyacinth at English Wikipedia
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Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?
Author: Hyacinth
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Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.
Author: Hyacinth
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The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.
Author: Kathleen Schlesinger
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Octatonic scales on C.
Author: Created by Hyacinth (talk) 23:50, 4 July 2010 using Sibelius 5.
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Nederlands: demo kwarttonenquartertones
Author: Tjako van Schie
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Musical note.
Author: ПростоУчастник
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Aeolian mode on C. No pitch bend.
Author: Created by Hyacinth (talk) using Sibelius 5.
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